A Personalised Induction Will Always Be More Effective free essay sample

I do not believe the statement on the front of this essay to be true. I believe that in some cases this may be needed, but not always. I think it depends on the client and what their individual needs are. A personalised induction allows for a much more personal approach and this is provided with this type of induction. However, in many cases this is not necessary or possible. For example, group therapy or self help CD’s to help you quit smoking or help you sleep. A generic induction can also work as an ice breaker for clients who want help but are afraid of sharing too much personal information with the therapist at the start of treatment. Some clients find it hard to trust their therapist and some just do not trust hypnosis. I believe there are arguments for both sides the personalised induction and the generic screed. We will write a custom essay sample on A Personalised Induction Will Always Be More Effective or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page I do not believe either is better or worse than the other, they are as effective as each other but in different ways. Personalised Induction A personalised induction is a hypnotic induction tailored to suit a specific client. They are used by therapists because people are individuals and deserve the personal touch. There are many reasons why a personalised induction needs to be carried out; it will give you some very useful information on the client. Firstly, it is very important to ascertain the mental health of the client. A hypnotherapist must never work with anyone who has or has had psychosis. If the client is on any kind of psychological medication or has a history of mental health, then the hypnotherapist will need to get written permission from the client’s doctor to carry out any therapy. Secondly, it is also important to confirm the physical aspects of the client and whether they are pregnant or suffer from epilepsy. However, in many cases you can only go by the information the client provides you, which is why it is important for you as a therapist to be aware of the client’s appearance and how they react on the outside, as this will be a reflection of their internal self. Everybody has individual characters and personalities which differentiate in many ways, both internally and externally, despite superficial similarities. We have different likes and dislikes. We come from culturally diverse background and religions. Our upbringing will have provided us with a particular set of values and standards. In order to carry out an effective induction we should ideally include as many of the likes and very few if any of the dislikes in a person’s life. The idea of the induction is to put the person at ease, as explained in an earlier essay relaxation is the key to an effective induction. During the initial consultation it is important to obtain the relevant information and find out the history of a person in order to personalise an induction. However, a person’s preferences and modalities are not always fixed and sometimes situations change and too much can be presumed after an initial consultation, this means that inductions have to remain flexible. By understanding your client, and having an idea of which modality they favour will help them and you feel more comfortable. The Hypnotherapist may use a variety of means to discover what type of induction will be most appropriate. They will take notes on the client’s appearance, noting such things like colour of their clothing, body language, speech pattern, lateral eye movement and lifestyle. Personality and behavioural traits will also assist when compiling an induction (Chrysalis client screed assessment sheet will help). All the above are essential because it is estimated that about only 7% of communication is through the words we use, with tone and volume coming in second at 38%, and 55% is through body language (hypnosis and mental health). As the client will most likely have their eyes shut throughout an induction the hypnotherapist will lose over half of their opportunity to communicate. Techniques There are two generally recognised techniques of hypnotic induction that the therapist will use to induce the client into a state of relaxation, Authoritarian and Permissive. The Authoritarian technique is commanding and direct. Its purpose is to establish control over the client and alter behaviour through the use of repetitious commands. This approach was used in early experiments because hypnotists believed that the authority they had over their client increased their chance of success (hypnosis for change: 26). The phrases used are: Close your eyes now or you will listen to my voice and my voice will make you relax. Dave Elman was an influential figure in the Authoritarian approach. Elman was born in North Dakota on the 6 May 1900. As a teenager Elman became an entertainer, he was a talented saxophone and violin player. He also staged hypnosis acts, this was however short lived. In 1948 Elman was producing a charity event when the main act cancelled, to fill the gap left, Elman preformed a hypnosis act. Much to the applause of a group of doctors, who asked Elman to teach them his approach? The authoritarian approach that Elman used almost seemed to bridge a gap between stage hypnosis and hypnotherapy. Stage hypnosis uses very direct and sharp techniques. Elman incorporated these approaches to make a therapy. Although this approach may seem domineering, it only creates an illusion of the therapist being in control. The client has to be willing to be told what to do, so therefore the client is actually in full control and can stop the therapy at anytime. The Permissive technique employs a softer tone of voice to lull the client into relaxation. In contrast to the authoritarian technique, the hypnotist and the client are equal partners in the process. More imagery is used to enhance suggestions, and greater responsibility is given to the client (hypnosis for change: 27). The phrases used are: You may like to close your eyes or you may like to move around a little. Milton Erickson was born in 1901 in Nevada. Erickson was an influential man in the permissive approach. He used an unconventional approach to hypnosis, Erickson believed that by allowing people to participate in their own therapy this would allow them to take ownership of the changes and suggestions being made to them. Erickson used therapeutic metaphors and stories like scripts instead of orders in his therapy. This approach also allowed the clients to move at their own speed. Modalities Modalities play a big part in delivering an induction, and as such during the initial consultation with a client the hypnotherapist will pay particular attention to everything the client says, their actions and their personality. The Visual, Auditory and Kinaesthetic (VAK) are the three main modalities with Olfactory, Gustatory and Auditory Digital being the remainder. Each of the modalities are present in a person’s physiology, language, behaviour, social and working life and also in their lateral eye movement (LEM). Lateral eye movements are thought to show the response to the type of thinking we need to employ in order to access certain information. Each of the modalities has their own LEM and use of words: Visual thinking people have a tendency to daydream, fantasise and imagine, and they generally speak faster in a high but clear tone. They may hold their body in a less relaxed way and the LEM for this modality are likely to be defocused or looking up to the left or right. They look up to the right when they are forming images, maybe making something up and look to the persons left when they are actually remembering images. Effective language in a screed for this modality would use words like look, imagine, watch, bright and would include phrases like I see what you mean, the future looks bright or looks good to me. Auditory thinking people have a tendency to imagine sounds such as music and speech and they often have a melodious voice style. They may tilt their head to one side and exhibit rhythmic body movement at times. The LEM for this modality will be around the horizontal midline, looking to the person’s right when they are constructing sounds and looking to the left when they are remembering sounds. Effective language in a screed for this modality would use words like say, remarks, discuss and would include phrases like loud and clear, that sounds good or I hear what you are saying. Kinaesthetic thinking people have a tendency to want to touch everything and may have a soft or lower tone to their voice. They may have rounded shoulders and the LEM for this modality will usually be to look down to the right. Effective language in a screed for this modality would use words like touch, smooth, gentle, move, and warm and would include phrases like I know how you feel or put your finger on it or hold on a moment. The other modalities that could be used are Olfactory, which means smell and Gustatory, which means taste. A personalised induction can be very beneficial for the client as it is tailored to suit each person’s modality and whether they prefer a permissive or authoritative induction. It also aims to include the client’s likes, and avoids their dislikes. The more the client likes are incorporated into the induction, the more the client relaxes the more successful the treatment will be. Also eliminating any undesired distractions like outside noise and having to stop the induction to visit the toilet, would avoid the client from having their anxieties raised, as this will reduce the effectiveness of the hypnotic induction. As you have read there are many advantages to a personalised induction, but what are the disadvantages? Firstly there is the length of time it takes to create a personalised induction; this can be a very lengthy process. Secondly, not all hypnotherapy is carried out on a one to one basis, for instance it can be used in group therapy for weight loss or to stop smoking. The therapist would not be able to use a personalised induction in this setting, as everybody in the group would be at different levels of need, and so need different things from the induction. Finally, hypnotherapy treatment can be pre-recorded, duplicated, for example DVD or CD, and can be distributed to reach a larger audience, so a personalised induction would not be suitable in this instance. Other things that need to be considered are that the client’s preferences may not be fixed, and so could change from one session to the next, which would mean having to rewrite the induction. Conclusion At the start of this essay I believe that a personalised induction was not needed all the time and a generic screed would fit all. However, after reading and researching about personalised inductions, I now believe that a personalised induction will always be more effective where there is a one to one session for all of the reasons I have stated. There is however, still a danger of spending too much time on a personalised induction, only to find that when you next see that individual, events in their lives may have changed meaning that the induction you have done for them is now inappropriate. In this respect I believe a hypnotherapist should be flexible and open-minded when carrying out the induction. I believe it cannot tell us absolutely everything you will ever need to know about the client. I also believe that there is an element of the therapist in the induction as they us their skills when speaking to the client at the first meeting. I feel that the permissive and authoritarian styles will generally be quite easy to establish and sometimes a client’s job will also give this away. For example if someone is in the armed forces they would probably respond well to an authoritarian induction but you can never assume anything.

French Hyphens Dashes - Le Tiret et le trait dunion

French Hyphens Dashes - Le Tiret et le trait dunion Hyphens and m-dashes are important in both English and French, but they are considerably more common in the latter. This lesson explains when, why, and how to use hyphens and m-dashes in French. I. Trait dunion   -   Hyphen No space before or after A.  Rapport :  Indicate a link between words or parts of words. 1. Compound words grand-mre, couvre-lit, quatre-vingts 2. Hyphenated names Jean-Luc, Marie-Lise 3. Imperative + pronoun aide-moi, fais-le, allez-y 4. Inversion veux-tu, pouvez-vous, a-t-il 5. Prefixes non-fumeur, quasi-collision 6. Set expressions cestdire, visvis 7. Suffixes celui-ci, cet homme-l B.  Cà ©sure :  Link the parts of a word that breaks at the end of a line such as  Je veux aller la bou- tique. II. Tiret   -    M-dash Space before and after A. lments dune liste : deux bananes une pomme un kilo de fraises B. Incise : Emphasize a comment (aside, interjection, etc) Quand jtais la banque quelle horreur ! je lai vu.Paul mon meilleur ami va arriver demain. C. Dialogue : Indicate each change of speaker Jai vu Michel aujourdhui. Ah bon ? Oui, il tait avec sa fille.

Difference between Gantt Chart and Network Diagram Assignment

Difference between Gantt Chart and Network Diagram - Assignment Example The planning (2.0) phase is where a project management plan is prepared. This plan helps the project manager to control the project in order to ensure that all budget over-runs are identified early. In this phase, a scope statement (2.1), a work breakdown structure (2.2), and a schedule of time and cost information are prepared. The execution (3.0) phase is where the actual project work starts. A survey (3.1) is done and user information is recorded (3.2 User Input). The survey information relates to the four projects combined. The information from the survey is then used to determine the contents of each sub-project (3.3 and 3.4) as shown in Figure 1.1. Details of the activities of other sub-projects (part of 3.4 and 3.5 and 3.6) are shown in Figure 1.2. Figure 1.2 shows part of the execution phase planning, the controlling (4.0) phase, and part of the closing (5.0) phase. An outline of a portion of the tasks to be completed in sub-projects 2 (3.4.3 and 3.4.4), the tasks for sub-projects 3 (3.5) and 4 (3.6) are provided. It shows parts of section 3.4 and sections 3.5 and 3.6. The screenshot shows that the contents have to be determined (3.5.1 and 3.5.2), items have to be procured (3.5.2 and 3.6.3) before or after the system is designed (3.5.3 and 3.6.2) before the application is developed. After the system is developed it has to be tested and debugged. Figure 1.2 also shows the controlling (4.0) phase where the work is monitored in order to control quality and cost and time over-run. In controlling the work adequate monitoring has to be done. Each of the sub-projects is reviewed (4.1.1) and feedback is provided (4.1.2). The technical personnel is then required to make changes (4.1.3). After the changes are made a status report is prepared. When all matters are addressed and the project is accepted, the final phase – closing (5.0) is attained.  Ã‚  

Frito Lay Essay Example | Topics and Well Written Essays - 750 words

Frito Lay - Essay Example Some of the features of the sales job that made it appropriate for a results based approach to job performance are that the number of sales that the employees make determines the amount of profits that the company will make. Secondly is that the payment mode of the job is on a commission basis depending on the number of sales that an individual makes. 2. One of the advantages that accrue to Frito Lay in defining the performance of its route sales employees in terms of its behaviour is that it is able to concentrate on areas that will increase the sales depending on the route. However, a major disadvantage of this method in defining behaviour is that it makes it difficult to shift employees from one route to another due to the different behaviours that are required to make sale. In order to address these issues, a commission pay system should be modified to include a system of payment that is dependent on the timeliness of arrival for the high-volume route employees and the ability of low-volume route employees to negotiate for the ideal shelf space. 3. Frito Lay emphasized on behaviour of the route employees in its research to increase its sales, however there are other dimensions that are equally important, such as the different abilities and educational levels of the employees, as they will determine how effectively they will be able to handle their duties. Overlooking these aspects of performance is bound to make the route employees unable to meet their targets, which lead to low pay, and the company will record low profits. Indonesia- Asia stumbling giant 1. The poor economic performance that has been experienced in Indonesia has been because of political and economic factors. Some of the political factors that contributed to the poor economic performance include the rule of Dictator Suharto that left the country with huge debts to pay, in addition, the levels of corruption and lack of political goodwill has led to the stagnation of the economy. The economi c factors that have contributed to the poor economic performance include the reduction in foreign direct investments, the bureaucratic process that takes up to 151 days in order for a person to get a license to operate a business have also contributed to the low economic performance of Indonesia (Lewis, 91). These two factors are related since the political class, who have embezzled public funds and failed to formulate policies to spur economic growth has created the poor economic environment in the country. 2. Some of the reasons that might have led to foreign firms leaving Indonesia in the early 2000’s include the corruption levels in the country and bureaucratic processes; this meant a decline in GDP since there was no revenue generated by the firms any more. In order to reverse this trend, the levels of corruption and bureaucratic processes should be addressed. 3. Corruption in Indonesia is a challenge since the political class lack the goodwill to eradicate it, as they a re also involved, this has made foreign investors shy away from investing in the country. 4. A major risk that foreign firms in Indonesia face is jailing of their employees or their operation licenses not being renewed due to failure to give bribes to the authorities. To reduce these risks, these firms should lobby the government to create a favourable business environment for foreign firms. Japan’s economic malaise 1. The Japanese economy has stagnated because after the economic depression that the country faced, the country has been unable to spur economic growth again despite the government efforts. 2. The downward trend in the Japanese economy

Baz Luhrmann’s Romeo and Juliet Essay Example for Free

Baz Luhrmann’s Romeo and Juliet Essay Being a virgin viewer of Baz Luhrmann’s Romeo and Juliet, I found myself dissatisfied as I began to see the famous balcony scene reveal itself on the courtyard floor. â€Å"Where is the barrier, the ‘stony limits’ that separates the lovers from each other?† I inquired. How could the most renowned scene of William Shakespeare’s most popular play be missing? I continued to watch in astonishment as the daring scene developed into a masterpiece. Baz Luhrmann and Franco Zeffirelli both achieved unique interpretations of William Shakespeare’s script which accomplish the chief goal of displaying the extremely passionate love between Romeo and Juliet. The movies were made twenty-nine years apart and had many specific and not so obvious differences between them including the setting, script, and camera work that are significant to accomplishing the two director’s diverse objectives for the films. The most noticeable difference found between the balcony scenes of the two movies is the different settings. There actually is a balcony in Luhrmann’s version, but it is much smaller and is only used for a brief instant in the scene. Romeo climbs to the top of the balcony in both versions, but in Luhrmann’s film, to his surprise, he finds an ugly nurse instead of the attractive Juliet. This comedic moment is essential for distracting the audience from their predictions. The Capulet mansions are both astounding and enormous but bestow different emotions. The mansion in Zeffirelli’s Romeo and Juliet is very castle-like with towering stone walls surrounded by trees, and a large balcony. This plain and simple appearance is important because the focus of the scene is on the two young lovers and the stony limits that separate them. Luhrmann’s film has a very luxurious and romantic looking set that captures the viewers’ attention from the start. The scene is more colorful with white sparkling lights, statues, ivy, and most importantly, a brightly lit up blue swimming pool. The water provides a perfect medium for Romeo and Juliet as they confess their love for each other. The water does not on ly serve symbolic importance but provides a modern obstacle between Romeo and Juliet that can be compared to the balcony. Although the viscous water acts as a barrier, the pool scene involves much more contact between the lovers than Zefferelli’s balcony scene. Light piano music fills the air instead of the louder rock music that is found throughout the film. In both versions, Juliet is clothed in all white, portraying her innocence. Zefferelli’s set resembles the setting William Shakespeare describes in his script, while Luhrmann modernizes the setting and translates script to appeal to today’s generations. Shakespeare wrote his plays in a Victorian language that is not especially familiar to most people today. Zefferelli was quite aware of this, but made very few adjustments to the script. His play targets people who already know the story of Romeo and Juliet. Zefferelli takes advantage of the opportunities film offers by using technology to create realism, background music, props, and backgrounds to aid in the comprehension of the balcony scene of this romantic tragedy. On the other hand, Baz Luhrmann cuts the original script from 190 lines to 100 lines. He also adds occasional words to enable a smooth flowing dialogue. He maintains Shakespeare’s Victorian language because of the ingenious poetry and rhythm it has that flows like music to one’s ears. Luhrmann eliminates a lot of the difficult and time-consuming language as well as lines that do not pertain to his modernized setting. For example, lines 70-182 of Act III, Scene II are eliminated, in which Juliet calls Romeo back then forgets why she did so. Luhrmann’s adjustments to the script allow for a more easy translation of Shakespeare’s language. In addition to the changes in the script, the scene can be comprehended strictly by viewing the moving picture due to the careful selection of costumes, the use of body language, the romantic setting, and the camera technique. The camera work during the balcony scene of both films is very strategically planed to give the viewers a much more personal experience than that of the stage. Zeffirelli’s scene makes use of the long balcony as the camera pans along it continuously, not allowing the eyes to rest. This keeps the viewers involved in the film while close ups are used to show the passionate emotions of the lovers. In Baz Luhrmann’s version of the scene, the camera is not as active as one might imagine. The scene begins with long shots and as it develops, the camera moves in to extreme close-ups to show every detail of the lovers’ expressions. The camera gives the viewers an intimate relationship as it moves slowly and more closely to the actors in contrast to the chaotic camera movement in other scenes. The quantity of editing used in Baz Luhrmann’s scene is significantly reduced when compared to the editing in other parts of his film. The editing pace goes from every couple seconds per shot to about twenty seconds per shot. The length of shots in Zeffirelli’s scene is even longer. Also, Zeffirelli’s scene uses slight high-angle shots on Juliet that gives the effect that Juliet is in a more superior position than Romeo. In Luhrmann’s film the lovers remain level with each other throughout most of the scene, giving a sense of equality. Both filming techniques used in the two versions were very effective in creating the close relationship between Romeo and Juliet as they reunite for the second time. The power and passion of love found within the balcony and pool scenes of the different films is one that leaves an everlasting impression in the hearts and minds of the viewers. Although interpreted very differently by two brilliant directors, the scenes both relay Shakespeare’s message. Baz Luhrmann did so in a way that transformed the play from Shakespearian times to the youth of the twentieth century. He used state of the art technology, familiar actors, a modernized setting, and adjustments to the actual script to translate Shakespeare’s play into modern times. On the other hand, Franco Zeffirelli attempted to make his film as much like Shakespeare’s play as possible. He used film to his advantage to provide a closer experience than that of the stage, but few changes to the actual script and setting were made. He wanted to reflect the play to the best of his ability to the screen. Baz Luhrmann’s objective was to bring Shakespeare’s Romeo and Juliet to the homes of people around the world. Both films were successful in achieving their goals, but were very unique because of the differences in the setting, script, and camera work. Works Cited â€Å"Imagery in Luhrmanns Romeo + Juliet.† American Film Institute. 1 Feb. 2005 http://www.fathom.com/course/28701907/session4.html. Marks, Margaret. â€Å"Brand New Old Stuff.† 1 Feb. 2005 . Romeo and Juliet. Dir. Franco Zeffirelli. Perf. Olivia Hussey and Leonard Whiting. Paramount Pictures, 1968. William Shakespeare’s Romeo and Juliet. Dir. Baz Luhrmann. Perf. Leonardo DiCaprio and Claire Danes. Twentieth Century Fox, 1997.

Duality in Fahrenheit 451 :: Fahrenheit 451 Essays

Duality in Fahrenheit 451 Dualities are the most elementary of comparisons, and are the easiest for the mind to comprehend in that total opposites are brought to attention. These opposites subconsciously provide one with a deeper insight of the material and consciously entertain. In Ray Bradbury's Fahrenheit 451, many dualisms are included both within Montag and in the outside world that provide 180 degree flip-side views, giving the book further depth and inner meaning. Within the many layers of Montag lay several opposite sides. For example, Montag is a fireman who burns books for a living but at home, spends time reading novels, poetry, and other written material. Although Montag could be called a hypocrite, he does not enjoy both the reading and the burning at the same time; he goes through a change that causes him to love books. Humans have the power to change and grow from one extreme to another, sometimes for the better and sometimes for the worse. In addition, when Mildred is with Montag, Montag does not have feelings for her but thinks of her as she is killed by the bombs. He possesses both the knowledge that Mildred does not love him and the heart that truly cares, but he knows not how to deal with this. His feelings are oppressed; it takes a major event (the bomb) to jolt them from hibernation. There are many dualisms in the outside world of Fahrenheit 451. For example, Montag receives contrasting lectures from Faber and Beatty on what to do with the books and how to be. Beatty and Faber are like black and white: total opposites no matter how you look at it. This "flip-side of a coin" clearly compares the book burner to the book reader, the hatred to the love, and it also gives the reader the opportunity to "choose" their side. In addition, the fire is used to burn houses and books, to destroy possessions; it also is used by the outcast men to cook their meal, warm themselves, and provide light for them. The fire has, in itself, two conflicting sides which includes destruction and preservation. The fire gives Montag as well as the reader the understanding that one thing can have both good qualities and bad qualities at the same time, and that many powers can be spoiled if used for negative intentions. Duality in Fahrenheit 451 :: Fahrenheit 451 Essays Duality in Fahrenheit 451 Dualities are the most elementary of comparisons, and are the easiest for the mind to comprehend in that total opposites are brought to attention. These opposites subconsciously provide one with a deeper insight of the material and consciously entertain. In Ray Bradbury's Fahrenheit 451, many dualisms are included both within Montag and in the outside world that provide 180 degree flip-side views, giving the book further depth and inner meaning. Within the many layers of Montag lay several opposite sides. For example, Montag is a fireman who burns books for a living but at home, spends time reading novels, poetry, and other written material. Although Montag could be called a hypocrite, he does not enjoy both the reading and the burning at the same time; he goes through a change that causes him to love books. Humans have the power to change and grow from one extreme to another, sometimes for the better and sometimes for the worse. In addition, when Mildred is with Montag, Montag does not have feelings for her but thinks of her as she is killed by the bombs. He possesses both the knowledge that Mildred does not love him and the heart that truly cares, but he knows not how to deal with this. His feelings are oppressed; it takes a major event (the bomb) to jolt them from hibernation. There are many dualisms in the outside world of Fahrenheit 451. For example, Montag receives contrasting lectures from Faber and Beatty on what to do with the books and how to be. Beatty and Faber are like black and white: total opposites no matter how you look at it. This "flip-side of a coin" clearly compares the book burner to the book reader, the hatred to the love, and it also gives the reader the opportunity to "choose" their side. In addition, the fire is used to burn houses and books, to destroy possessions; it also is used by the outcast men to cook their meal, warm themselves, and provide light for them. The fire has, in itself, two conflicting sides which includes destruction and preservation. The fire gives Montag as well as the reader the understanding that one thing can have both good qualities and bad qualities at the same time, and that many powers can be spoiled if used for negative intentions.

Othello is incharge of his own downfall Essay

Othello, much like any other human being, is in charge of his own destiny. Despite the fact that his fatal flaw, which is his incapability to resist accusations or statements which are not in his favour, that of which leads to the Moor’s downfall, Othello, much like any other human being, has a choice – he, unfortunately chooses to believe anything and everything Iago places before him. Desdemona is nothing short of loyal to the Moor. She, even though is wrongly accused, is nothing less than a â€Å"true and loyal wife† to Othello. The genuine and passionate love she has for the Moor is so overwhelming that it leads her to disobey her father Brabantio in order to be with her â€Å"husband† which which she sees as her mother who â€Å"so much duty showed to [Brabantio] so [she] is due to the Moor.† The same amount of passionate love is felt for her by her â€Å"Valiant† spouse, Othello. However, Othello’s passionate love he has for his â€Å"white ewe† quickly turns in passionate hatred after having the seed of jealousy planted in him by â€Å"Honest Iago.† Although Iago is the initiator of Othello’s downfall, he is merely removing the â€Å"Valiant† facade the â€Å"Brave Othello† portrays which thus reveals his cannibalistic nature. The green-eyed â€Å"monster†, which was hidden behind the facade of a man who is of a â€Å"free and honest nature,† is revealed nearing the climax of the tragic play. Othello, by choice, now adapts to the cannibalistic and jealous nature which is inflicted by the Machiavellian character, Iago. â€Å"The Moor already changes with [Iago’s] poison.† Othello allows the vine of jealousy to overthrow him which results in his murderous killing of his â€Å"true and loyal wife,† Desdemona. During the revelation of his monstrous act, Othello cries out â€Å"O fool, fool, fool!† – this is indicative of his realization of his own cannibalistic actions which led to him creating a monstrous act, that of which is the murder of Desdemona. He, himself allowed his naivety and jealous emotions to take over him which leads to him killing his fair â€Å"maiden†, Desdemona, that of which he realizes was â€Å"a murder which [he] thought a sacrifice.† As a punishment for his monstrous actions, Othello kills, not Iago, but himself, The choice to kill himself rather than to seek revenge on Iago is indicative of his realization that the matter of his downfall and the death of his wife was because of his own doings – by making the choice to believe the Machiavellian that is Iago. The Moor than proclaims that he â€Å"loved not wisely but too well.† – This statement is indeed indicative of him making the wrong choice to allow his emotions overthrow him which utterly leads to his downfall.